![]() Latin Builders Association Community News.Miami Community Newspaper Sponsored Content.Sanborn Hopper Collection Trust: Corn Hill (1930) of Truro’s historic cottages perched on cliffs above Cape Cod Bay and Grand Tetons, a watercolor also depicted in Edward Hopper’s Jo in Wyoming, executed from the back seat of their automobile on a 1946 road trip across America.Įach ticket also includes one Hopper-inspired artisanal cocktail, courtesy of John Henry, to toast the holidays and the final month of our yearlong 50th Anniversary celebration.Įdward Hopper House Museum & Study Center follows state and local Covid-19 guidelines relating to capacity, masks, and social distancing. In tandem with this gallery talk is a special event: Edward Hopper House Museum & Study Center will unveil two new additions to “Edward’s Muse,” a pair of rarely seen watercolor paintings by Josephine Nivison Hopper from the Arthayer R. Sip a twist on the French 75 that we're calling the "Nivison 24", and hear guest curator Elizabeth Thompson Colleary discuss the works and themes of " Josephine Nivison Hopper: Edward's Muse " as well as Jo’s partnership with her husband, Edward Hopper. Join us in the galleries on December 9 for Cocktails with the Curator & Jo. Mary Anne Evangelist, Elisabeth Voigt, and Victoria Hertz & Rod Greenwood. Josephine Nivison Hopper: Edward’s Muse is made possible with generous support from Dr. ![]() With this important exhibition we are able to do just that, while giving Josephine Nivison Hopper her rightful place as an artist of note whose legacy will now endure. The Edward Hopper House Museum & Study Center has an obligation to bring depth and understanding to the work of Edward Hopper. Indeed, with a body of Jo’s work now available for study we have the opportunity to tell the Hoppers' decades-long story of "painting together" – and in so doing, the importance of Jo’s role as Edward Hopper’s painting companion, model, and muse can finally be recognized and celebrated. While her newly discovered work is worthy of recognition in its own right, it also illuminates and expands our understanding of the Hoppers’ two-artist marriage and the crucial role that Jo played in the creation of much of Edward Hopper’s art. Sanborn several folios of her watercolors, along with journals and record books, for safekeeping and in gratitude for his friendship. After Edward’s passing in 1967, Jo gave Rev. Sanborn, who was the pastor of the local Baptist church. The watercolors included in the current exhibition represent a small portion of the work by Jo Nivison Hopper that has come to light in recent years, thanks to the efforts of Hopper family friend, Reverend Arthayer R. Her paintings, primarily watercolors, were shown in prestigious exhibitions with the most admired European and American Modernists of the day. Josephine (Jo) Nivison Hopper was an established and respected artist in New York City prior to her marriage to Edward Hopper in 1924, a childless union that would endure for 43 years. The earlier presentation offered an overview of Jo Hopper’s work, while this exhibition focuses on the role Jo Hopper played in helping to shape Edward Hopper’s (1882-1967) artistic vision. ![]() Curated by Elizabeth Thompson Colleary, this exhibition features a selection of watercolors by Josephine (Jo) Nivison Hopper (1883-1968) and follows a show we presented in 2014 (also curated by Colleary) titled, Grace de Coeur: Watercolors by Josephine Nivison Hopper. ![]() Edward Hopper House Museum and Study Center is pleased to present Josephine Nivison Hopper: Edward’s Muse, on view from Octothrough March 20, 2022. ![]()
0 Comments
Leave a Reply. |